{"id":28313,"date":"2022-12-16T18:48:09","date_gmt":"2022-12-16T18:48:09","guid":{"rendered":"https:\/\/ethique-rlaroche.profweb.ca\/?p=28313"},"modified":"2024-01-30T22:23:40","modified_gmt":"2024-01-30T22:23:40","slug":"enquete-pocahontas","status":"publish","type":"post","link":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/?p=28313","title":{"rendered":"Enqu\u00eate 03. &#8211; Pocahontas"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"607\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/MV5BMjE1MjM5MTg1N15BMl5BanBnXkFtZTcwMjUyNTIyNw@@._V1_-1024x607.jpg\" alt=\"\" class=\"wp-image-28493\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/MV5BMjE1MjM5MTg1N15BMl5BanBnXkFtZTcwMjUyNTIyNw@@._V1_-1024x607.jpg 1024w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/MV5BMjE1MjM5MTg1N15BMl5BanBnXkFtZTcwMjUyNTIyNw@@._V1_-300x178.jpg 300w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/MV5BMjE1MjM5MTg1N15BMl5BanBnXkFtZTcwMjUyNTIyNw@@._V1_-768x455.jpg 768w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/MV5BMjE1MjM5MTg1N15BMl5BanBnXkFtZTcwMjUyNTIyNw@@._V1_-1536x910.jpg 1536w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/MV5BMjE1MjM5MTg1N15BMl5BanBnXkFtZTcwMjUyNTIyNw@@._V1_.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">RESSOURCES<\/h4>\n\n\n\n<p>SOURCES PRINCIPALES :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>( <a href=\"https:\/\/ici.radio-canada.ca\/ohdio\/balados\/7628\/autochtones-traditions-communautes-langue-territoire\/466226\/femmes-libres-culture-perceptions\">x<\/a> ) &#8211; Laissez-nous raconter: L&rsquo;histoire crochie, Ep. Pocahontas  [ Ohdio! ]<\/li>\n\n\n\n<li>( <a href=\"https:\/\/web.archive.org\/web\/20180410075910\/http:\/\/www.powhatan.org\/pocc.html\">x<\/a> ) &#8211; Powhatan statement on Pocahontas [ Archiv\u00e9 ]<\/li>\n\n\n\n<li>( <a href=\"https:\/\/www.mouseplanet.com\/13204\/The_Problem_with_Pocahontas\">x<\/a> ) &#8211; The Problem with Pocahontas &#8211; [ MousePlanet ]<\/li>\n\n\n\n<li>( <a href=\"https:\/\/disney.fandom.com\/wiki\/Pocahontas_(character)\">x<\/a> \/ <a href=\"https:\/\/disney.fandom.com\/wiki\/Pocahontas_(film)\">x<\/a> ) &#8211; Pocahontas [ Disney Wiki ]<\/li>\n\n\n\n<li>( <a href=\"https:\/\/www.pocahontaslives.com\/the-disney-representation-of-pocahontas.html\">x<\/a> ) &#8211; The Disney representation of Pocahontas [ POCAHONTAS LIVES! ]<\/li>\n<\/ul>\n\n\n\n<p>QUELQUES ARTICLES DE PLUS :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>( <a href=\"http:\/\/www.philo-cvm.ca\/?p=7254\">x<\/a> ) &#8211; Enqu\u00eate de Ryan<\/li>\n\n\n\n<li>( <a href=\"https:\/\/www.blu-ray.com\/news\/?id=9336\">x<\/a> ) &#8211; The Making of Walt Disney&rsquo;s Pocahontas [ Blu-ray.com ]<\/li>\n\n\n\n<li>( <a href=\"https:\/\/www.smithsonianmag.com\/history\/true-story-pocahontas-180962649\/\">x<\/a> ) &#8211; The True Story of Pocahontas [ Smithsodian Magazine ]<\/li>\n\n\n\n<li>( <a href=\"https:\/\/americanindiansinchildrensliterature.blogspot.com\/2015\/06\/a-native-response-to-sophie-gilberts.html\">x<\/a> ) &#8211; A Native Response to Sophie Gilbert&rsquo;s Article \u00ab\u00a0In Defense of Pocahontas\u00a0\u00bb [ American Indians in Children&rsquo;s Literature \/ blogspot.com ]<\/li>\n\n\n\n<li>TV Tropes\n<ul class=\"wp-block-list\">\n<li>( <a href=\"https:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/WesternAnimation\/Pocahontas\">x<\/a> ) &#8211; Pocahontas<\/li>\n\n\n\n<li>( <a href=\"https:\/\/tvtropes.org\/pmwiki\/pmwiki.php\/UsefulNotes\/Pocahontas\">x<\/a> ) &#8211; Useful Notes \/ The Real Pocahontas<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<h4 class=\"wp-block-heading\">R\u00c9FLECTION<\/h4>\n\n\n\n<p>Pourquoi ais-je choisi ce sujet ?<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>J&rsquo;\u00e9tudie en animation<\/li>\n\n\n\n<li>J&rsquo;ai beaucoup \u00e9cout\u00e9 de films Disney pendant mon enfance<\/li>\n\n\n\n<li>Je n&rsquo;ai jamais vu Pocahontas<\/li>\n\n\n\n<li>Opportunit\u00e9 de regarder le film avec un oeil adulte et de le biffer de ma \u00ab\u00a0to-watch list\u00a0\u00bb<br>+ absence de biais et d&rsquo;attachement envers le film <\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p> DISNEY POCAHONTAS<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Titre fran\u00e7ais de France: Pocahontas, une l\u00e9gende indienne<\/li>\n\n\n\n<li>Sortie : 1995<\/li>\n\n\n\n<li>Studio : Walt Disney Pictures<\/li>\n<\/ul>\n\n\n\n<p>\u00ab\u00a0Powhatan statement on Pocahontas\u00a0\u00bb<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Our efforts to assist Disney with cultural and historical accuracy were rejected. Our efforts urging him to reconsider his misguided mission were spurred.<\/em><\/li>\n\n\n\n<li><em>It is unfortunate that this sad story, which Euro-Americans should find embarrassing, Disney makes \u00ab\u00a0entertainment\u00a0\u00bb and perpetuates a dishonest and self-serving myth at the expense of the Powhatan Nation.&nbsp;<\/em><\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-ethique-et-politique wp-block-embed-ethique-et-politique\"><div class=\"wp-block-embed__wrapper\">\nhttp:\/\/www.philo-cvm.ca\/?page_id=5959\n<\/div><figcaption class=\"wp-element-caption\">Lecture compar\u00e9e entre <strong>An Antane Kapesh, \u00ab\u00a0Je suis une maudite sauvagesse\u00a0\u00bb<\/strong>, et la <strong>Commission d\u2019enqu\u00eate sur les relations entre les Autochtones et certains services publics : \u00e9coute, r\u00e9conciliation et progr\u00e8s<\/strong><\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"703\" height=\"219\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-14.png\" alt=\"\" class=\"wp-image-28517\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-14.png 703w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-14-300x93.png 300w\" sizes=\"auto, (max-width: 703px) 100vw, 703px\" \/><figcaption class=\"wp-element-caption\">Notes de An\u00e9la Petit ( merci ! )<\/figcaption><\/figure>\n\n\n\n<p>NOTES :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>L&rsquo;homme blanc est \u00e9go\u00efste<\/li>\n\n\n\n<li>L&rsquo;homme blanc raconte l&rsquo;histoire d&rsquo;un point de vue objectif, avec un ton neutre et traitant les faits. Un rapport, en quelque sorte. C&rsquo;est un format qui a ses avantages &#8211; soit, l&rsquo;auteur n&rsquo;impose pas techniquement un poin de vue et la neutralit\u00e9 aide \u00e0 se former une opinion. Tr\u00e8s difficile \u00e0 critiquer dans une soci\u00e9t\u00e9 qui accorde beaucoup d&rsquo;importance \u00e0 l&rsquo;objectivation et qui promouvoit la libert\u00e9 d&rsquo;expression, et qui encourage les points de vue diff\u00e9rents &#8211; Par contre, ce format passe aussi sous silence les souffrances autochtones v\u00e9ritables, et donne un \u00ab\u00a0feeling of dismissal\u00a0\u00bb<\/li>\n\n\n\n<li>La neutralit\u00e9 est aussi difficile \u00e0 atteindre parce que le biais est humain; peut avoir tendance \u00e0 justifier quand mis en position o\u00f9 on sent de la honte.<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h3 class=\"wp-block-heading\">Une plong\u00e9e dans un point de vue \u00e0 l&rsquo;int\u00e9rieur de Disney ;<\/h3>\n\n\n\n<p>Comparaison entre&#8230;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>MousePlanet &#8211;<em> The Problem with Pocahontas<\/em><\/li>\n\n\n\n<li>Pocahontas &#8211; Disney Wiki<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"617\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-13-1024x617.png\" alt=\"\" class=\"wp-image-28516\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-13-1024x617.png 1024w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-13-300x181.png 300w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-13-768x463.png 768w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-13.png 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"334\" data-id=\"28508\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/e0e1e00f5d4de03c6d35d378716edc2b-character-concept-concept-art-3.jpg\" alt=\"\" class=\"wp-image-28508\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/e0e1e00f5d4de03c6d35d378716edc2b-character-concept-concept-art-3.jpg 500w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/e0e1e00f5d4de03c6d35d378716edc2b-character-concept-concept-art-3-300x200.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"735\" height=\"373\" data-id=\"28509\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/3b5e73a0516376e030c2d11044de8917-character-design-disney-disney-concept-art-2.jpg\" alt=\"\" class=\"wp-image-28509\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/3b5e73a0516376e030c2d11044de8917-character-design-disney-disney-concept-art-2.jpg 735w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/3b5e73a0516376e030c2d11044de8917-character-design-disney-disney-concept-art-2-300x152.jpg 300w\" sizes=\"auto, (max-width: 735px) 100vw, 735px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"285\" data-id=\"28510\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/tumblr_inline_p9n161SlqU1qk8akf_500-2.jpg\" alt=\"\" class=\"wp-image-28510\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/tumblr_inline_p9n161SlqU1qk8akf_500-2.jpg 500w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/tumblr_inline_p9n161SlqU1qk8akf_500-2-300x171.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"614\" data-id=\"28513\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/pocahontas_early_model_sheet_character_line-up_size_comparison-2-1024x614.jpg\" alt=\"\" class=\"wp-image-28513\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/pocahontas_early_model_sheet_character_line-up_size_comparison-2-1024x614.jpg 1024w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/pocahontas_early_model_sheet_character_line-up_size_comparison-2-300x180.jpg 300w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/pocahontas_early_model_sheet_character_line-up_size_comparison-2-768x461.jpg 768w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/pocahontas_early_model_sheet_character_line-up_size_comparison-2-1536x921.jpg 1536w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/pocahontas_early_model_sheet_character_line-up_size_comparison-2.jpg 1599w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"441\" height=\"342\" data-id=\"28511\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/glen-keane3-2.jpg\" alt=\"\" class=\"wp-image-28511\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/glen-keane3-2.jpg 441w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/glen-keane3-2-300x233.jpg 300w\" sizes=\"auto, (max-width: 441px) 100vw, 441px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"236\" height=\"344\" data-id=\"28512\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/tumblr_inline_p9n1607XjG1qk8akf_250-1.jpg\" alt=\"\" class=\"wp-image-28512\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/tumblr_inline_p9n1607XjG1qk8akf_250-1.jpg 236w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/tumblr_inline_p9n1607XjG1qk8akf_250-1-206x300.jpg 206w\" sizes=\"auto, (max-width: 236px) 100vw, 236px\" \/><\/figure>\n<\/figure>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>During Thanksgiving weekend in 1990, Gabriel developed ideas of classic western legends such as Annie Oakley, Buffalo Bill, and Pecos Bill to adapt until he conceptualized the tale of Pocahontas. Pitching his idea at the Gong Show pitch meeting, Gabriel took a one-sheet color image of Tiger Lily from&nbsp;Peter Pan&nbsp;and wrote the title Walt Disney&rsquo;s Pocahontas on it, and on the back, he taped a one-sentence pitch of \u00ab\u00a0an Indian princess who is torn between her father&rsquo;s wishes to destroy the English settlers and her wishes to help them\u2014a girl caught between her father and her people, and her love for the enemy.\u00a0\u00bb At the time, Feature Animation president Peter Schneider was developing an animated version of Romeo and Juliet for many years and Gabriel&rsquo;s timely pitch had many of the same elements. \u00ab\u00a0We were particularly interested in exploring the theme of &lsquo;<strong>If we don&rsquo;t learn to live with one another, we will destroy ourselves,'\u00a0\u00bb <\/strong>recalled Schneider. Gabriel&rsquo;s pitch was quickly accepted becoming the quickest story turnaround in studio history.<\/em><\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>\u00ab\u00a0In 1991, I pitched to Michael Eisner, Roy E. Disney and Jeffrey Katzenberg the following story idea: &lsquo;Pocahontas: A beautiful Indian princess falls in love with a European settler and is torn between her father&rsquo;s wishes to destroy the settlers and her own wishes to help them.&rsquo;<br>\u00ab\u00a0It was a Romeo and Juliet story. I pitched it just like that and just that long and they loved it immediately and walking out of that meeting, they had already made the commitment to make the film,\u00a0\u00bb stated the film&rsquo;s co-director Mike Gabriel.<\/p><cite>&#8212;&#8212;-<\/cite><\/blockquote><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Story supervisor Tom Sito, who became the project&rsquo;s unofficial historical consultant, did extensive research into the early colonial era and the story of John Smith and Pocahontas and was confronted over the historical inaccuracies from historians. Already knowing that in reality, Pocahontas married John Rolfe, Mike Gabriel explained it was felt that \u00ab\u00a0the story of Pocahontas and Rolfe was too complicated and violent for a youthful audience\u00a0\u00bb so instead, they would focus on Pocahontas&rsquo; meeting with John Smith. The filmmakers discovered that Pocahontas was around twelve years old and Smith was \u00ab\u00a0not a very likable character\u00a0\u00bb, in which producer James Pentecost confessed that dramatic license was indeed to be taken. Likewise, when searching for an appropriate age for Pocahontas to begin her relationship with Smith, Glen Keane explained, \u00ab\u00a0We had the choice of being historically accurate or socially responsible, so we chose the socially responsible side\u00a0\u00bb by increasing Pocahontas&rsquo;s age from a girl into a young woman.<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>In addition, it could not be a story where the couple lived happily ever after together since Smith abandoned her in America and she later married British colonist John Rolfe.<br>So Disney created an awkward, illogical ending where Smith&rsquo;s wound is so severe that&#8230;<\/p><cite>&#8212;&#8212;-<\/cite><\/blockquote><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>SHIRLEY \u00ab\u00a0LITTLE DOVE\u00a0\u00bb CUSTALOW-MCGOWAN<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>In June 1992, the filmmakers embarked on a research trip to the Jamestown Settlement where Pentecost first met Shirley \u00ab\u00a0Little Dove\u00a0\u00bb Custalow-McGowan, herself a descendant of the Powhatan Indians. The trip also included a visit to the Pamunkey Indian Reservation and conducted interviews with historians at Old Dominion University. Following the research trip, Custalow-McGowan served as a consultant traveling to the Disney studios three times, and while Custalow-McGowan offered her services free, Disney paid her a $500 daily consulting fee plus expenses. Ultimately, when it came to light that historical accuracy was not being pursued to the extent she had hoped, McGowan has voiced her feelings of shame she felt in conjunction with her work on the film, saying, \u00ab\u00a0[she] wish[ed her] name wasn&rsquo;t on it\u00a0\u00bb. Additional Native American consultants were brought in to authenticate the clothing and war dance choreography.<\/p>\n<\/blockquote>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p>Shirley \u00ab\u00a0Little Dove\u00a0\u00bb Custalow McGowan is a descendant of Virginia&rsquo;s Powhattan Indians. James Pentacost, the producer of Disney&rsquo;s&nbsp;<em>Pocahontas<\/em>&nbsp;(1995), first saw her in June 1992 while visiting the Native American Festival at Jamestown with a couple of Disney writers.<br>McGowan worked occasionally at the Jamestown Festival Park and traveled all over Virginia and along the East Coast, presenting programs on the history and culture of her Algonquin ancestors who included Pocahontas.<br>\u00ab\u00a0We didn&rsquo;t meet her then,\u00a0\u00bb stated Pentacost to the&nbsp;<em>Daily Press<\/em>&nbsp;in 1993. \u00ab\u00a0But when we came back in October I brought a larger group \u2013 about eight or nine artists and writers. We met her then and talked. Glen Keane photographed and videotaped her.\u00a0\u00bb<br>McGowan consulted with the Disney Studios three times about the film, but eventually felt that the production was not adhering strictly enough to historical accuracy and disavowed any further participation. She asked for her name to be removed from the film but it was not.<\/p><\/blockquote><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p>Renowned for animating female characters such as Ariel, supervising animator Glen Keane was immediately tapped to draw the titular Indian princess. Following the demands of Jeffrey Katzenberg to make the title character \u00ab\u00a0the most idealized and finest woman ever made\u00a0\u00bb, Keane first began to seek his inspirations for his depictions for Pocahontas from Shirley &lsquo;Little Dove&rsquo; Custalow-McGowan and Debbie White Dove, women he had met during the research trip to Virginia. Keane recalled meeting the women, \u00ab\u00a0So I turned around and there&rsquo;s this beautiful Indian woman walking up; a Native American. She said &lsquo;Are you Glen Keane? The animator that&rsquo;s going to do Pocahontas?&rsquo; I said &lsquo;Well, yeah.&rsquo; And then from behind another tree another woman came up and said, &lsquo;Well, my name is Shirley Little Dove, and this is my sister Devi White Dove, and we are descended from Pocahontas.&rsquo; And as they stood there, I mean I took a picture of both of them, and between their faces was Pocahontas&rsquo; face in my mind &#8211; I could see her.\u00a0\u00bb Other inspirations were Charmaine Craig, Filipino model Dyna Taylor, Natalie Belcon, Naomi Campbell, Jamie Pillow, white supermodels Kate Moss and Christy Turlington, and her own voice actress Irene Bedard. Keane also looked to a 1620 depiction of Pocahontas from a history book he had to check out, though Keane would state she was \u00ab\u00a0not exactly a candidate for People&rsquo;s \u00ab\u00a0Most Beautiful\u00a0\u00bb issue [so] I made a few adjustments to add an Asian feeling to her face.\u00a0\u00bb Because of the complexity of the color schemes, shapes, and expressions in the animation, a total of 55 animators worked on the design of Pocahontas&rsquo; character alone, which included Mark Henn and Pres Romanillos.<\/p>\n<cite>Source additionelle parce que j&rsquo;ai eu des doutes qu&rsquo;il avait r\u00e9ellement dit \u00e7a ( page <a href=\"https:\/\/news.google.com\/newspapers?nid=1876&amp;dat=19950621&amp;id=6LUeAAAAIBAJ&amp;pg=3611,1163488\">9<\/a>&#8211;<a href=\"https:\/\/news.google.com\/newspapers?id=6LUeAAAAIBAJ&amp;sjid=ZM8EAAAAIBAJ&amp;hl=fr&amp;pg=6864%2C1171311\">10<\/a> )<\/cite><\/blockquote>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"297\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-11.png\" alt=\"\" class=\"wp-image-28514\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><strong><em>\u00ab\u00a0We&rsquo;re doing a mature love story here, and we&rsquo;ve got to draw her as such. She has to be sexy,\u00a0\u00bb said Keane, who likened Pocahontas to a tribal Eve. \u00ab\u00a0This is a Disney version. This is not a documentary.\u00a0\u00bb<\/em><\/strong><\/p><\/blockquote><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pocahontas_:_Une_l%C3%A9gende_indienne\">WIKIPEDIA<\/a><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Les directeurs artistiques se sont de nombreuses fois d\u00e9plac\u00e9s \u00e0&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jamestown_(Virginie)\">Jamestown<\/a>&nbsp;en&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Virginie_(%C3%89tats-Unis)\">Virginie<\/a>&nbsp;et ont r\u00e9alis\u00e9 de nombreuses recherches sur la&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Treize_colonies\">p\u00e9riode coloniale<\/a>&nbsp;afin de d\u00e9finir le style et l&rsquo;aspect du film<sup><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pocahontas_:_Une_l%C3%A9gende_indienne#cite_note-DisneyAtoZ_page445-5\">5<\/a><\/sup>. Leurs recherches artistiques les ont pouss\u00e9s \u00e0 utiliser une forte imagerie verticale (for\u00eats de Virginie) et horizontale (plaines de Virginie)<sup><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pocahontas_:_Une_l%C3%A9gende_indienne#cite_note-DisneyAtoZ_page445-5\">5<\/a><\/sup>. Les recherches historiques ont amen\u00e9 les artistes \u00e0 consulter des conteurs et sp\u00e9cialistes de la culture&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Powhatans\">Powhatan<\/a><sup><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pocahontas_:_Une_l%C3%A9gende_indienne#cite_note-DisneyAtoZ_page445-5\">5<\/a><\/sup>.<\/li>\n\n\n\n<li>Les&nbsp;<em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Character_designer\">character designers<\/a><\/em>&nbsp;du film prirent le parti de donner \u00e0&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pocahontas_(Disney)\">Pocahontas<\/a>&nbsp;les traits et la plastique du mannequin&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Naomi_Campbell\">Naomi Campbell<\/a>. De leur c\u00f4t\u00e9, les sc\u00e9naristes du film invent\u00e8rent une Pocahontas&nbsp;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89cologisme\">\u00e9cologiste<\/a>, volontaire et physiquement attirante, <strong>rompant<\/strong> ainsi avec <strong>une tr\u00e8s longue tradition<\/strong> Disney selon laquelle un personnage principal f\u00e9minin<em><strong> se devait d&rsquo;\u00eatre d\u00e9nu\u00e9 de sensualit\u00e9.<\/strong><\/em> Par ailleurs, les animaux apparaissant dans l&rsquo;histoire ne sont pas, comme le veut une autre tradition Disney, des faire-valoirs parlants.<\/li>\n\n\n\n<li>\u00c0 l&rsquo;origine, les personnages animaliers (Percy, Flit et Redfeather) \u00e9taient suppos\u00e9s parler, tout comme dans les films d&rsquo;animation pr\u00e9c\u00e9dents de Disney. Cependant, cette facette fut abandonn\u00e9e quand les r\u00e9alisateurs pench\u00e8rent vers un <strong>traitement plus r\u00e9aliste de l&rsquo;histoire<\/strong>. En effet, la dinde nomm\u00e9e \u00ab&nbsp;Redfeather&nbsp;\u00bb, fut supprim\u00e9e et remplac\u00e9e par Meeko.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">PODCAST: <\/h3>\n\n\n\n<h5 class=\"wp-block-heading\">( <a href=\"https:\/\/ici.radio-canada.ca\/ohdio\/balados\/7628\/autochtones-traditions-communautes-langue-territoire\/466226\/femmes-libres-culture-perceptions\">x<\/a> ) &#8211; Laissez-nous raconter: L&rsquo;histoire crochie ( Ep. Pocahontas )<\/h5>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Devenue un symbole, un point de rep\u00e8re. une introduction ?\n<ul class=\"wp-block-list\">\n<li>Pour moi, c&rsquo;est difficile de me l&rsquo;imaginer parce que l&rsquo;histoire et les cultures autochtones ont \u00e9t\u00e9 enseign\u00e9es \u00e0 travers mon parcours scolaire primaire + secondaire; c&rsquo;est une partie int\u00e9grale de l&rsquo;histoire canadienne. par contre, ce n&rsquo;est pas le cas partout \u00e0 travers le monde pour plusieurs raisons<br>Donc Pocahontas \u00e9tait tr\u00e8s probablement le premier contact (?) avec les premi\u00e8res nations d&rsquo;Am\u00e9rique du Nord pour plusieurs. <\/li>\n\n\n\n<li>Exemple donn\u00e9 dans le Podcast: ( citation reformul\u00e9e de m\u00e9moire ) : quand je voyage \u00e0 l&rsquo;\u00e9tranger et je dis que je suis am\u00e9rindienne, et que la personne ne comprend pas, je lui demande si il\/elle a vu Pocahontas\u00a0\u00bb.<\/li>\n\n\n\n<li>Exemple donn\u00e9 dans le Podcast: il est commun pour une femme autochtone de s&rsquo;\u00eatre faite appel\u00e9 Pocahontas au moins une fois dans sa vie<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Histoire racont\u00e9e dans le podcast: une grand-m\u00e8re appelle sa fille Pocahontas, elle n&rsquo;a pas aim\u00e9. \u00ab\u00a0Je ne voudrais jamais marier un blanc !\u00a0\u00bb<\/li>\n\n\n\n<li>Avec le succ\u00e8s du film, Pocahontas est devenue \u00ab\u00a0un mythe fondateur en Am\u00e9rique\u00a0\u00bb, mais \u00ab\u00a0ce que l&rsquo;on garde d&rsquo;elle, ce n&rsquo;est pas sa parole mais son image invent\u00e9e\u00a0\u00bb. C&rsquo;est ce qui a laiss\u00e9 une empreinte sur le public.<\/li>\n\n\n\n<li>St\u00e9r\u00e9otypes de la femme autochtone:\n<ul class=\"wp-block-list\">\n<li>La grand-m\u00e8re qui d\u00e9tient la sagesse<\/li>\n\n\n\n<li>La femme libre sexuellement<\/li>\n\n\n\n<li>La femme qui souffre d&rsquo;alcoolisme<\/li>\n\n\n\n<li><em><strong>LA PRINCESSE INDIENNE QUI TOMBE EN AMOUR AVEC UN COWBOY BLANC !<\/strong><\/em><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>\u00ab\u00a0Plays into the White Savior Mentality\u00a0\u00bb\n<ul class=\"wp-block-list\">\n<li>\u00ab\u00a0rescued\u00a0\u00bb by John Smith, the white man<\/li>\n\n\n\n<li>taken away from her people, took her to live with \u00ab\u00a0civilization\u00a0\u00bb<\/li>\n\n\n\n<li>\u00ab\u00a0tamed\u00a0\u00bb<\/li>\n\n\n\n<li>Lisa: \u00ab\u00a0L&rsquo;image de Pocahontas repr\u00e9sente encore aujourd&rsquo;hui la suppos\u00e9e sup\u00e9riorit\u00e9 des colonisateurs sur les peuples autochtones et sur les femmes\u00a0\u00bb<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>PLUS DE ST\u00c9R\u00c9OTYPES !\n<ul class=\"wp-block-list\">\n<li>L&rsquo;histoire fig\u00e9e dans le temps &#8211; les v\u00eatements, par exemple. \u00ab\u00a0Ils sont o\u00f9 tes vrais v\u00eatements ?\u00a0\u00bb<\/li>\n\n\n\n<li>\u00ab\u00a0parfait exemple de l&rsquo;imp\u00e9rialisme am\u00e9ricain &#8211; tu fais ta recherche, mais dans quel but ?\u00a0\u00bb<\/li>\n\n\n\n<li>Juste un autre cas comme le petit Hiawatha et la casquette des Black Hawks, Washington Redskins, Eskimos d&rsquo;Edmonton<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Pocahontas, par le pass\u00e9, a \u00e9t\u00e9 reni\u00e9e par les historiens(?) autochtones. Elle est soit d\u00e9test\u00e9e ou (pitied); car elle \u00e9tait vue soit comme une tra\u00eetresse ou une femme exploit\u00e9e<\/li>\n\n\n\n<li>\u00ab\u00a0comme si c&rsquo;\u00e9tait la premi\u00e8re \u00e0 s&rsquo;\u00eatre pli\u00e9e \u00e0 la loi des blancs. comme si c&rsquo;\u00e9tait \u00e7a, la place des femmes autochtones. de se soumettre.<\/li>\n\n\n\n<li>Citation: \u00ab\u00a0elle a fait ce que les femmes autochtones faisaient \u00e0 son \u00e9poque, soit tenter de r\u00e9concilier diff\u00e9rents points de vue afin que les gens s&rsquo;entendent. <\/li>\n\n\n\n<li>On n&rsquo;a pas son POV parce qu&rsquo;elle n&rsquo;\u00e9crivait pas et que la femme, et ce qu&rsquo;elle pensait, \u00e9tait \u00ab\u00a0sans valeur\u00a0\u00bb pour les hommes blancs europ\u00e9ens.<\/li>\n\n\n\n<li><strong><em>POCAHONTAS SERAIT UN DES PREMIERS EXEMPLES DE FEMMES AUTOCHTONES VIOL\u00c9ES, ASSASSIN\u00c9ES ET\/OU DISPARUES<\/em><\/strong><\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Conclusion: Matthew Mukash:\n<ul class=\"wp-block-list\">\n<li>Tr\u00e8s important de faire attention \u00e0 ce qu&rsquo;on enseigne \u00e0 nos enfants parce que, souvent, quand ils sont jeunes, c&rsquo;est tr\u00e8s facile de contr\u00f4ler\/d&rsquo;influencer leur pens\u00e9es<\/li>\n\n\n\n<li>Contes de f\u00e9es&#8230; propagande ? Involontaire ou non ? Peut-on v\u00e9ritablement leur donner le b\u00e9n\u00e9fice du doute ?<\/li>\n\n\n\n<li>Pour une grande partie de la soci\u00e9t\u00e9, personne de leur a appris \u00e0 propos des autochtones<\/li>\n\n\n\n<li>\u00ab\u00a0So when you want to tell stories about native people, I always say: we have to tell the story. we have to write our history\u00a0\u00bb<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>\u00ab\u00a0Important + que jamais de nous gu\u00e9rir des fausses images et surtout de nous redonner la place qui nous revient\u00a0\u00bb<\/li>\n<\/ul>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"677\" src=\"http:\/\/www.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-12-1024x677.png\" alt=\"\" class=\"wp-image-28515\" srcset=\"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-12-1024x677.png 1024w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-12-300x198.png 300w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-12-768x508.png 768w, https:\/\/www.ethique-rlaroche.philo-cvm.ca\/wp-content\/uploads\/2022\/12\/image-12.png 1200w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><em>&nbsp;Baptism of Pocahontas<\/em>, par John Gadsby Chapman<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Pocahontas &#8211; R\u00e9daction ( PLAN )<\/h2>\n\n\n\n<p>Titre:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pocahontas, ou l&rsquo;\u00e9goisme de l&rsquo;homme blanc<\/li>\n<\/ul>\n\n\n\n<p>INTRO:<\/p>\n\n\n\n<p>Plusieurs sont ceux qui ont grandi avec les films Disney, les comptes de princesses, de magie, de cr\u00e9atures fantastiques et de villains (?). Parmi ces princesses se trouve Pocahontas, film de Disney sorti en 1995.<\/p>\n\n\n\n<p>probl\u00e9matique<\/p>\n\n\n\n<p>Examination de mon biais:<\/p>\n\n\n\n<p>&#8211; En identifiant ce qui vous affecte,&nbsp;<a href=\"http:\/\/www.philo-cvm.ca\/?page_id=1252\" target=\"_blank\" rel=\"noreferrer noopener\">vos sentiments et vos impressions<\/a>&nbsp;concernant le sujet de votre questionnement.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Je n&rsquo;avais jamais vu Pocahontas avant de choisir le film comme sujet de mon enqu\u00eate<\/li>\n\n\n\n<li>Aucun attachement envers le film. Pas de nostalgie<\/li>\n\n\n\n<li>Seulement une frustration envers ?????, cause : les probl\u00e8mes que je remarque de plus en plus en vieillissant, comment la mauvaise repr\u00e9sentation m&rsquo;affecte ( autisme, LGBTQ+ ) et affecte ceux que j&rsquo;aime. <\/li>\n<\/ul>\n\n\n\n<p>&#8211; En \u00e9valuant l\u2019\u00e9tat de la discussion et du d\u00e9bat dans&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.philo-cvm.ca\/?page_id=1205\" target=\"_blank\">l\u2019espace public<\/a>. Votre opinion est-elle en ad\u00e9quation avec ce qu\u2019on dit? Comment vous positionnez-vous?<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Manque de connaissance; ignorance<\/li>\n\n\n\n<li>Grande majorit\u00e9 de la population mondiale ne b\u00e9n\u00e9ficie pas de cours sur l\u2019histoire nord-am\u00e9ricaine et sur les peuples autochtones ( qui ne sont pas non plus \u00ab&nbsp;immune to criticism&nbsp;\u00bb but let\u2019s not go there&nbsp;) \u2013 Comme une autochtone le t\u00e9moigne dans le podcast ( qui sera cit\u00e9 plusieurs fois ) \u00ab&nbsp;Laissez-nous raconter: l&rsquo;histoire crochie&nbsp;\u00bb &#8212; utilise Pocahontas comme un rep\u00e8re culturel pour ceux qui ne connaissent pas les autochtones d&rsquo;Am\u00e9rique du Nord. On peut en d\u00e9duire que Pocahontas est, \u00e0 travers le succ\u00e8s du film de Disney, Devenue un symbole, un point de rep\u00e8re. une introduction.<\/li>\n\n\n\n<li>Importance de la repr\u00e9sentation. Un article ????<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>3- Analysez&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.philo-cvm.ca\/?page_id=1208\" target=\"_blank\">la signification sociale&nbsp;<\/a>des repr\u00e9sentations, des images, des id\u00e9es ou encore des institutions identifi\u00e9es dans le contexte de votre enqu\u00eate ?<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">SIGNIFICATION SOCIALE<\/h3>\n\n\n\n<p>Plot summary &#8211;&gt; La vraie histoire histoire de Pocahontas,  par contre&#8230;<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pocahontas, 11 ans, sert de lien entre les colons et la nation Powhatan<\/li>\n\n\n\n<li>Mari\u00e9e \u00e0 un homme blanc, ( podcast ) premier cas de femme autochtone viol\u00e9e et disparue<\/li>\n\n\n\n<li>John Smith aucune relation amoureuse prouv\u00e9e, on se base sur des t\u00e9moignages de John Smith (??) \n<ul class=\"wp-block-list\">\n<li>Ironie &#8211; encore une fois, on \u00e9coute l&rsquo;homme blanc avant d&rsquo;\u00e9couter les premi\u00e8res nations. <\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p>Dans le film de Disney :<\/p>\n\n\n\n<p>Powhatan nation statement :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><em>Our efforts to assist Disney with cultural and historical accuracy were rejected. Our efforts urging him to reconsider his misguided mission were spurred.<\/em><\/li>\n\n\n\n<li><em>It is unfortunate that this sad story, which Euro-Americans should find embarrassing, Disney makes \u00ab\u00a0entertainment\u00a0\u00bb and perpetuates a dishonest and self-serving myth at the expense of the Powhatan Nation.&nbsp;<\/em><\/li>\n<\/ul>\n\n\n\n<p>D\u00c9VELOPPEMENT DU FILM:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Pitch original: Rom\u00e9o et Juliette\n<ul class=\"wp-block-list\">\n<li>Voulaient-ils faire une histoire sur Pocahontas, r\u00e9ellement, ou souhaitaient-ils faire un film qui fittait leur fantaisie de \u00ab\u00a0Rom\u00e9o et Juliette\u00a0\u00bb<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>L\u2019histoire du film de Disney vs. La v\u00e9ritable histoire de Pocahontas<\/li>\n\n\n\n<li>Recherches, contact avec les autochtones<\/li>\n\n\n\n<li>Le d\u00e9veloppement du film, les d\u00e9cisions prises pendant la production, ce qu\u2019on \u00e9t\u00e9 les cons\u00e9quences ex. choix de design de Pocahontas \u2018sexy\u2019, cr\u00e9er une relation avec John Smith, changer l\u2019histoire pour qu\u2019elle soit plus adapt\u00e9e aux enfants, comment le film est n\u00e9 \u2013 soit, le pitch original de Rom\u00e9o et Juliette. Qu\u2019est-ce qui a \u00e9t\u00e9 choisi en priorit\u00e9<\/li>\n\n\n\n<li>Design de Pocahontas<\/li>\n\n\n\n<li>Les efforts plus positifs ? Ils ne voulaient pas, v\u00e9ritablement, faire du mal. Mais ils ont \u00e9t\u00e9 \u00e9go\u00efstes. L\u2019ironie du message que le film veut passer<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p>4- D\u00e9crivez, en lien avec le point de vue que constituent votre probl\u00e9matique, votre r\u00e9flexion et analyse,&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.philo-cvm.ca\/?page_id=1211\" target=\"_blank\">les cons\u00e9quences sociales<\/a>&nbsp;de ce que vous avez identifi\u00e9.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">CONS\u00c9QUENCES SOCIALES<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c0 cause du succ\u00e8s du film, Pocahontas est devenue \u00ab\u00a0hyper-visible\u00a0\u00bb <\/li>\n\n\n\n<li>Renforcement des st\u00e9r\u00e9otypes, surtout celui du \u00ab\u00a0good indian\u00a0\u00bb<\/li>\n\n\n\n<li>R\u00e9-\u00e9criture de l&rsquo;histoire, la vraie tombe dans l&rsquo;oubli<\/li>\n\n\n\n<li>On parle encore par-dessus les autochtones<\/li>\n<\/ul>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<h3 class=\"wp-block-heading\">Conclusion<\/h3>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Matthew Mukash<\/li>\n\n\n\n<li>Important de donner la parole aux autochtones. De leur laisser raconter leur propre histoire. On en a vu, des personnages autochtones \u00e9crits par des blancs.<\/li>\n\n\n\n<li>Ce n\u2019est plus notre tour de parler. Maintenant, on s\u2019assoit, on se tait, et on \u00e9coute.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>RESSOURCES SOURCES PRINCIPALES : QUELQUES ARTICLES DE PLUS : R\u00c9FLECTION Pourquoi ais-je choisi ce sujet ? DISNEY POCAHONTAS \u00ab\u00a0Powhatan statement on Pocahontas\u00a0\u00bb NOTES : Une &#8230;<\/p>\n","protected":false},"author":212,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[348],"tags":[224,204,355],"class_list":["post-28313","post","type-post","status-publish","format-standard","hentry","category-automne-2022","tag-autochtones","tag-enquete","tag-pocahontas"],"_links":{"self":[{"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=\/wp\/v2\/posts\/28313","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=\/wp\/v2\/users\/212"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28313"}],"version-history":[{"count":7,"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=\/wp\/v2\/posts\/28313\/revisions"}],"predecessor-version":[{"id":28525,"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=\/wp\/v2\/posts\/28313\/revisions\/28525"}],"wp:attachment":[{"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28313"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=28313"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ethique-rlaroche.philo-cvm.ca\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=28313"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}